Alien: Romulus

r96sk

@r96sk

<em>'Alien: Romulus'</em> is actually very good.

Of the more modern day releases from this franchise, this is the one I've enjoyed the most. When I was immediately coming out of the cinema I was just plainly thinking of it as being solidly good, however the more I think about it the more I had fun with this seventh installment.

The plot, or at least the set-up to it, is quite uncreative, as in I feel like so many films - from this series included - have a crew make-up of similar people and similar characteristics/motivations; <em>'Crater'</em> and <em>'I.S.S.'</em> (both very good, don't get me wrong) are recent examples that spring to mind. Happily, though, the rest of the flick makes up for any weakness in that area.

Cailee Spaeny and David Jonsson are the great performers in this, I found them both to be excellent throughout. Two actors I want to see much more of, having already seen them in a few pleasing pictures; e.g. <em>'Civil War'</em> and <em>'Rye Lane'</em>.

I also liked the sound design and even the jump scares, which I'm not usually a fan of (bit lazy etc.) but there is enough about how they do them here that it works. Those facehuggers remain brilliantly effective, though the xenomorph isn't amazingly utilised - the human version didn't hit for me, felt <em>'I Am Legend'</em>-esque.

All in all, it's up there as one of my favourites from the franchise. For me, <em>'Alien'</em> and <em>'Aliens'</em> just narrowly better this, though it's a marginal improvement on (the entertaining) <em>'Alien Resurrection'</em> and it surpasses every other release, in my eyes.

CinemaSerf

@Geronimo1967

I gather director Fede Alvarez made a conscious - and probably expensive - decision to keep the use of CGI to a minimum here and it really does work. "Rain" (Cailee Spaeny) and her "brother" are looking to get off-planet but she can't get travel papers from the all-powerful mining company. Desperate, she and "Andy" (David Jonsson) are offered a chance by wide boys "Tyler" (Archie Renaux) and "Bjorn" (Spike Fearn) to raid a decrepit old spacecraft that appears to be in a decaying orbit, so they can pinch it's cryogenic pods and enable them all to escape to another planet out of reach of their enthralling taskmasters. Off they set onto the "Romulus" and that's where, well you just know what's going to happen now, as they inadvertently turn the central heating on and find themselves in mortal danger. "Andy" just happens to be a synthetic, which proves especially useful when they discover the remains of "Rook" (the spitting image of the late Sir Ian Holm) but is this oozing mess of gunge and wiring actually an help or an hindrance? Getting off is going to be a lot harder than getting on! To be honest, the acting here is really neither here nor there. Renaux and Isabella Merced - their cohort "Kay" do enough, Fearn rather over-plays his chip-on-the-shoulder character and there's a slightly soporific effort from Jonsson, but that's not what I was watching for. This is all about the best monsters sci-fi cinema has ever created, and right from their first appearance I was in their corner. There's loads of darkly shot menace crammed into the two hours with plenty of references to it's originator and even more insinuations about the greed of a "company" that doesn't know when to leave well alone. Just like the other "Alien" films, it takes a Russian Doll approach to the ending, so don't think we're going to get off with just the one, definitive, "get away from her..." moment, and of course the lift plays a pivotal part in the proceedings as acid blood drips everywhere. It's not so good as the first two Sigourney Weaver outings, but slips neatly into bronze medal position for me in a series that can still prove quite compellingly scary. It's a cinema must - telly just won't do the lighting and photography justice at all.

Whilst not as awful as the Aliens franchise films that came after the excellent first and second films, starring Sigourney Weaver, Alien Romulus is not without its shortcomings.

Whats immediately noticeable, in spite of the rugged, industrial setting, is a cast that look like they just escaped from the set of Beverly Hills 90210. Youthful, fresh faced, physically unimposing, with not a grease stain or blemish in sight, they feel badly out of place.

If you can put the sense of disbelief regarding the casting aside (I couldn't) the actual story fares only marginally better. It feels like a borrowed affair, where its taken aspects of the first two successful films and tried to craft a newer iteration.

The results an alright, if at times, somewhat ridiculous story, punctuated by moments of compelling action. That said, haven't we seen it all before, in one form or another?

In summary, miscasting combined with a story that blandly apes superior earlier films, leads to an "okay" watch that's fails to distinguish itself.If you are new to this franchise, my advice start with Alien from 1979 and then its plural successor Aliens, instead.

Color me thoroughly surprised at how much I was delighted by “Alien: Romulus,” a highly creative, beautifully executed, pulse-pounding science fiction film from director Fede Alvarez. This sequel is a rare gem in the world of big budget franchise flicks because it not only respects its predecessors with thoughtfully well done homages, but also pushes the boundaries of the universe it inhabits with inventive set pieces and a plausible story. Fans of the series and the genre are in for a real treat.

Going back to the roots of the “Alien” franchise, the film tells the story of a group of young space colonizers (Cailee Spaeny, David Jonsson, Archie Renaux, Isabela Merced, Aileen Wu, and Spike Fearn)who are looking for a way out of their current situation as hard laborers on a sunless planet. While searching the universe, they encounter a decommissioned ship that has enough supplies to take them far, far away. Intent on scavenging, the group makes a risky voyage into space where they get far more than they bargained for: a face-to-face encounter with a terrifying life form from which they may have no hope of escape.

The strength of the story is also in its simplicity, and Alvarez uses swift pacing and straightforward character development to create an irresistible hook for audiences. He creates a crackerjack blend of suspense, horror, and science fiction that not only hearkens back to the original films, but also offers up something fresh and modernized for a new generation. Even better, the film is very dark and isn’t dumbed down for casual viewers, which shows a great deal of respect to long-time sci-fi fans. This isn’t just another sequel that is exploiting a franchise’s good will, it actually has some substance.

There’s an atmosphere of dread that commands most of the movie, and the action scenes are imaginative and inspired. I was on the edge of my seat multiple times, and several of the set pieces are visually fun, too. The special effects are not flashy or over-polished like the ones that tend to dominate modern blockbusters (even the alien creature itself remains largely unchanged from its original, iconic 1979 design), which turns out to be the perfect complement to the film’s strong narrative foundation. Heightened tension and fear is created through well-crafted suspense rather than constant visual bombardment. There’s a level of sophistication here that elevates it beyond a mere retread of past “Alien” films.

I was especially surprised about how quickly I started to care about the characters, who don’t exactly give off the best first impression (they seem like they will be stereotypical and highly annoying, but that’s not the case). As the story unfolds, so do the layers of depth and complexity, both which make the fate of these friends matter. The film is well cast, and Spaeny’s versatility shines through in a role that requires both emotional range and physical intensity.

The film is willing to take risks, especially when it comes to killing off characters. The unpredictability of who will survive and who has the wits to escape from harrowing situations adds another layer of tension and sense of danger. Nothing here feels preordained, and that in itself is exciting.

“Alien: Romulus” is a wildly satisfying addition to the franchise because it’s a film that understands what made the original great and uses those elements to create something new and exciting. It succeeds in paying homage to its predecessors while also forging its own identity, honoring its legacy in a way that will have sci-fi nerds salivating for future installments.

By: Louisa Moore / SCREEN ZEALOTS

FULL SPOILER-FREE REVIEW @ https://movieswetextedabout.com/alien-romulus-review-an-audiovisual-triumph-held-back-by-reverence-to-the-past/

"Alien: Romulus is an impressive technical spectacle that highlights Fede Álvarez's talent in creating an atmosphere of tension and horror, raising the audiovisual standard of the saga to new heights through immersive sound design and Galo Olivares' stunning cinematography, which deserves countless accolades.

However, its excessive reliance on references to the past prevents it from reaching its full narrative potential, as well as achieving a thematic impact similar to the franchise's best installments.

Despite this, the captivating performances of Cailee Spaeny and David Jonsson, along with a third act filled with insane entertainment, make this interquel a cinematic experience worth seeing in IMAX, even if it leaves the feeling that it could have been more daring and innovative."

Rating: B+