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Police Academy
Hugh Wilson

Police Academy

  • Comedy
  • Crime

Call them slobs. Call them jerks. Call them gross. Just don't call them when you're in trouble.

Play Trailer
RELEASE

1984-03-22

BUGET

$4.5M

LENGTH

97 min

Description

New rules enforced by the Lady Mayoress mean that sex, weight, height and intelligence need no longer be a factor for joining the Police Force. This opens the floodgates for all and sundry to enter the Police Academy, much to the chagrin of the instructors. Not everyone is there through choice, though. Social misfit Mahoney has been forced to sign up as the only alternative to a jail sentence and it doesn't take long before he falls foul of the boorish Lieutenant Harris. But before long, Mahoney realises that he is enjoying being a police cadet and decides he wants to stay... while Harris decides he wants Mahoney out!

Reviews

Filipe Manuel Neto PFP

Filipe Manuel Neto

@FilipeManuelNeto

A comedy landmark.

I have no doubt that this film inaugurates what was one of the comic franchises that most marked the 80s and 90s. I remember that, until the dawn of the new century, films from this franchise were a regular presence on TV channels, and they still make routine appearances on movie or comedy channels. Unlike many other film works from this era, I feel they are aging well and haven't fallen by the wayside.

The script helped a lot, because it was very well written, considering that it is a light film and does not lack great depth: after a municipal decision to open police training courses to all those who wanted to, regardless of physical, mental and psychological requirements, the Police Academy was swamped by the most inept aspirants. Now, there will be a declared effort to get them to give up, and one of them is prevented from doing so, no matter how much he wants to.

If I'm told that the film's script is quite simple and that it's not exactly good, I would surely agree. However, it served perfectly for the intended effect and held up well to the film and the successive jokes that were happening. Many of them are predictable, many are overly sexual, but many of the jokes work reasonably well. There is some female nudity here, but it's nothing that current cinema hasn't shown in much more abusive ways in other films. Still, parents be warned!

There are several actors of great quality here who do an excellent job. Despite being many years old, it is the great film in the career of Steve Guttenberg, who shone in the franchise in the role of the irreverent Mahoney. The actor made the best use of the opportunity and reaped the rewards of that commitment. G.W. Bailey also deserves a round of applause for an inspired, funny and beautifully executed work. Despite speaking very little, Bubba Smith also stands out, using his physical grandeur and serious air. The actor was excellent. Even more impressively, David Graf is really funny and steals attention whenever he appears. As with Graf, Marion Ramsey also had the culmination of her career in these films, and made the best of it with an extraordinarily good performance. Michael Winslow and George Gaynes also did an excellent job. Kim Catrall is beautiful, but she is very little used in the movie, as are other actors because the cast is just huge!

The film was made in an old psychiatric sanatorium and the buildings have a beautiful, somewhat institutional appearance, which lends credibility to the atmosphere of the academy. The cinematography is regular and doesn't bring us anything new or original, but it works well, and the soundtrack has one of the most recognizable main themes in comedy films. The film has a very good pace and is not tiring.