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The Pride of the Clan
Maurice Tourneur

The Pride of the Clan

  • Romance
  • Drama

The Sweetest Story Ever Screened

RELEASE

1917-01-07

BUGET

N/A

LENGTH

84 min

Description

Donald MacTavish, the last chieftain of his clan on an island off the coast of Scotland, dies at sea. This leaves his only daughter, Marget, to assume the responsibilities of leadership. Marget's burden is partially eased by her blossoming romance with Jamie Campbell. But there is a secret from Jamie's past that neither of them know about.

Reviews

CinemaSerf PFP

CinemaSerf

@Geronimo1967

There’s something of a documentary feel to this rather length drama about “Marget” (Mary Pickford). She’s the daughter of the island chieftain who rules the place with a rod of puritanical iron. Maybe that’s what attracted him to his maker because one stormy day he doesn’t make it back from a fishing trip and so she becomes the boss. Now she’s the antithesis of her late father. She has a sweet nature and engenders affection from the natives - especially from the young “Jamie” (Matt Moore)! With him approaching his majority, though, it emerges that he (or his mother) has been keeping quite a secret that will necessitate a life-changing visit from the “Countess of Dunstable” (Kathryn Brown-Decker) whose husband decides that any future for this bright young man must mean severing all ties with his homeland. To that end he convinces “Magret” to banish the young “Jamie” but in doing that she banished love from her heart and facilitates a denouement that could spell tragedy, or maybe not…? The story follows fairly standard plot lines but the photography is really good at illustrating the bleakness of their island home (OK, so Massachusetts rather than the Hebrides) and the bedraggled and subsistence existence of this seafaring community is well presented used that imagery and some creative costume design. Pickford and Moore have a sort of rugged chemistry between them and rather despite myself, I found the ending quite attractive. It is too long, and could probably have lost twenty minutes without harming the storyline or the characterisations, but on that last front - at least Maurice Tourneur does try to make this a love story about plausible people.