From rags to riches... and back again.
2019-11-07
$15.6M
119 min
A fresh and distinctive take on Charles Dickens’ semi-autobiographical masterpiece, The Personal History of David Copperfield, set in the 1840s, chronicles the life of its iconic title character as he navigates a chaotic world to find his elusive place within it. From his unhappy childhood to the discovery of his gift as a storyteller and writer, David’s journey is by turns hilarious and tragic, but always full of life, colour and humanity.
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Based on Charles Dickens' novel, The Personal History of David Copperfield is the first Armando Ianucci's film I ever watched. I didn't really know much about this movie besides its stellar cast. I'm not the biggest fan of biographical works. Usually, I find them too constricted to the genre's formulas, and if I don't think the protagonist's life is remotely entertaining, then the whole film crumbles. Fortunately, it's not the case of this Ianucci's adaptation. It's one of the most pleasant surprises of the year, I finished it with a massive smile on my face.
David Copperfield's life is portrayed in such a captivating, entertaining, genuine, heartfelt manner, but always maintaining this sort of lightness. There's always something positive coming out of even the worst of situations. Actually, I think that's the best message transmitted to the viewer: it doesn't matter how horrible your life might be at a particular moment, it will only get better if you don't give up, and if you surround yourself with true friends and family. Throughout the runtime, David shares his life with different families and friends, working and living in the poorest and wealthiest places.
His lifestyle changes drastically after each new significant development in his journey to become a writer, and it's such a joy to watch him grow up. From working like a slave in a factory and being homeless to living in a boathouse and eventually in a mansion like a true gentleman, David goes through all of the obstacles life throws at him, learning from them to become a better person. A really nice touch is the distinct names that people call him throughout his life, depending on where he lives/works and who's he talking to: Davy, Doady, Daisy, Trotwood… These might be merely different nicknames for David, but they mean much more. They're a tiny yet efficient detail that remarkably distinguishes his unique lifestyles.
Ianucci and Simon Blackwell do a terrific job with the screenplay, by offering Dev Patel an exceptional platform to shine. The whole cast delivers outstanding performances that elevate the movie in an invaluable way. Patel is an excellent protagonist, and I don't want to diminish his extraordinary display, but he's only as great as his counterparts. Tilda Swinton (Betsey Trotwood) and Hugh Laurie (Mr Dick) form a hilarious couple, deeply important to help David rise from the ground. Peter Capaldi brilliantly portrays Mr Micawber, a family man with immense debts, who teaches young David (impressively represented by Jairaj Varsani) how London works by escaping his creditors.
Darren Boyd and Gwendoline Christie use their physical attributes to interpret the evil Murdstone brothers, who employ extreme, violent measures to educate David. Everyone involved in bringing the Peggotty family to life is as essential as the family's importance to the protagonist. Benedict Wong (Mr Wickfield) shows his funny side once again, as Morfydd Clark is charming enough as Dora Spenlow and Clara Copperfield. Aneurin Barnard (James Steerforth) becomes David's best friend, but his final arc doesn't quite fit the film, in my opinion, prolonging the latter for a few unnecessary extra minutes.
So, as you might have figured, every cast member has a vital role to play in some shape or form. All are incredibly fun to watch, making this two-hour flick flow tremendously well. Technically, the production and costume design are award-worthy. The XIX century streets, houses, and clothes are really immersive, creating a realistic environment, elevated even more by the subtle yet powerful score (Christopher Willis). Seamless editing (Mick Audsley, Peter Lambert) and impeccable cinematography (Zac Nicholson) also help the movie's pacing and even contribute for a few transition jokes.
All in all, The Personal History of David Copperfield is one of the most entertaining biographical works I've ever seen, as well as one of the most pleasant surprises of 2020. It's one of those films that leaves you with a huge smile, from ear to ear. As the viewer, watching David Copperfield's journey to becoming a writer is so captivating and fun, not only due to the humorous screenplay, but mainly because it's such an honest, emotional, genuine story. Only a few minutes in, and I already wanted him to succeed in life. My emotional attachment to the protagonist was so strong that I couldn't help myself drop a couple of tears by the end. I don't have enough words to describe how wonderful every cast member is and how important each role has in David's life. Dev Patel is an impressive lead, but his performance is elevated by the work of his counterparts. It's technically flawless, but the story and its characters make this movie an absolute delight to watch.
Definitely, one of the best films of the year, so don't you dare miss it!
Rating: A-
This has really been a banner year for the period film. We've had Gerwig's spectacular 'Little Women', Autumn de Wilde's wondrous adaptation of 'Emma.', and on television, the bombastic imagination of 'The Great'. Armando Iannucci's 'The Personal History of David Copperfield', even with its flaws, sits beautifully beside them. This film left me giddy with joy, my eyes filled with tears, leaping from my seat with every rapturous surprise and unexpected burst of imagination. It brims over with humanity, humour and heart, and reminds us of the importance of these things for a rich and satisfying life. This is an absolute gem of a film, and one of my favourite of this year so far.
Read Daniel's full article... https://www.maketheswitch.com.au/article/review-the-personal-history-of-david-copperfield-a-rhapsodic-delight-on-taking-ownership-of-our-own-stories
I'm not Armando Iannucci's biggest fan so saw this at the Opening Gala of the London Film Festival with some trepidation. Unfortunately, I wasn't pleasantly surprised. Dev Patel does bring some charm to the proceedings, but the attempts at comedy in this retelling of Dickens' classic just don't work for me at all. Ben Whishaw and Tilda Swinton appear to be fish out of water and whilst it is good to see Hugh Laurie back on the big screen it all comes across as a bit of a hotch-potch of ideas and aspirations. The book's original questioning of Victorian values around child exploitation and of more general social attitudes seem to have been largely sidelined, robbing the story of much of it's heart and soul. It is also quite unnecessarily lengthy at just shy of two hours. As you'd expect, it is a good film to look at, featuring some very picturesque East Anglian villages that probably haven't changed anything like as much as this story from the days of Charles Dickens himself.
I'm not Armando Iannucci's biggest fan so saw this at the Opening Gala of the London Film Festival with some trepidation. Unfortunately, I wasn't pleasantly surprised. Dev Patel does bring some charm to the proceedings, but the attempts at comedy in this retelling of Dickens' classic just don't work for me at all. Ben Whishaw and Tilda Swinton appear to be fish out of water and whilst it is good to see Hugh Laurie back on the big screen it all comes across as a bit of a hotch-potch of ideas and aspirations. The book's original questioning of Victorian values around child exploitation and of more general social attitudes seem to have been largely sidelined, robbing the story of much of it's heart and soul. It is also quite unnecessarily lengthy at just shy of two hours. As you'd expect, it is a good film to look at, featuring some very picturesque East Anglian villages that probably haven't changed anything like as much as this story from the days of Charles Dickens himself.
