Description
In this insightful interview, veteran dramatist Nick Kazan shares his know-how about handling studio script notes, integrating changes without sacrificing the material and developing screenwriting chops. The Oscar-nominated writer of the films Reversal of Fortune (1990), Frances (1982), At Close Range (1986) and Patty Hearst (1988) also explains why he doesn't "do lunch" and why he views life as a comedy.
