They're not really criminals, but everyone's got to have a dream.
1996-02-21
$7.0M
91 min
Upon his release from a mental hospital following a nervous breakdown, the directionless Anthony joins his friend Dignan, who seems far less sane than the former. Dignan has hatched a harebrained scheme for an as-yet-unspecified crime spree that somehow involves his former boss, the (supposedly) legendary Mr. Henry.
It's always staggering to me that Bottle Rocket is almost universally considered one of Wes Anderson's worst movies. Seeing the sub-70% rating on this website nearly broke my heart. And since there were no reviews of the film, I decided it was my duty as a Bottle Rocket stan to make a feeble attempt at evangelizing on its behalf.
People complain about how twee and pretentious Anderson's movies come across. Yet, somehow, as one of his movies that largely sidesteps those pitfalls, Bottle Rocket usually gets shit on the most. Part of the "problem" is that there's a subtlety to the humor and the storytelling that is unmatched in Anderson's filmography. It's not as "mainstream quirky" as a Moonrise Kingdom, nor does it have the flashiness (relatively speaking) of a Rushmore or a Life Aquatic. It's much more than that -- to me, at least.
It's a very low-stakes film, something which I always appreciate in my fiction. It's just a bunch of morons who want to be criminals. Why? Because they're morons and they have names like Dignan and Applejack and it's funny. You want a compelling plot, go watch The Royal Tenenbaums. You want to laugh at Owen Wilson dressing up in a banana-colored jumpsuit and riding around on a tiny motorcycle, Bottle Rocket's ya boy.
Luke Wilson's Anthony is, ostensibly, the star of this film. His struggle with his vague mental illness really resonates with me because I, too, am nuts. Owen Wilson is the main attraction here, though. He brings a sort of low-key freneticism to Dignan that always makes me smile. Look at that little guy go. I honestly don't think Wes Anderson has ever written a better character, though I know that I'm, inexplicably, the only person in the world who thinks that.
I don't know what I can say to make people like this movie more. It's good! It's fun and cute and sweet! It's very Wes Anderson without being too Wes Anderson. You know? I would think more people would appreciate that. If this were made today, Timothee Chalamet would undoubtedly be cast as one of the two leads, so let's be glad it lives forever encased in 1996 carbonite.
<em>'Bottle Rocket'</em> felt like it was running on fumes for me, the conclusion is an improvement on what procedes but it doesn't quite do enough to salvage my feelings towards this Wes Anderson feature directorial debut. With that noted, I didn't explicitly dislike it either.
Owen Wilson and Luke Wilson make their acting bows, quite interesting that the brothers don't actually portray brothers; kinda refreshing to see, actually. Robert Musgrave and James Caan are also involved. Owen is the standout in my opinion, though the main trio are on a similar-ish level.
It coulda done with more laughs, but that's obviously a personal thing - no doubt many will find it funny, just not me; albeit with a few chuckles scattered in there. It also isn't the most Wes Anderson-y film, with his signature MO evidently not quite fully developed yet (as expected, tbf).
