2024-09-11
N/A
150 min
In 1960, United Nations: the Global South ignites a political earthquake, musicians Abbey Lincoln and Max Roach crash the Security Council, Nikita Khrushchev bangs his shoe denouncing America’s color bar, while the U.S. dispatches jazz ambassador Louis Armstrong to the Congo to deflect attention from its first African post-colonial coup.
This documentary is a serious testament to the archivist's art as it pieces together an impressive array of imagery of the great and the good of American Jazz and combines that with some intimate actuality of the turbulence ongoing in the Congo as it strived for independence. Why might anyone care about the future of an impoverished African nation that had all but bankrupted it's "owner" - King Leopold II of Belgium? Well that's because it holds enormous deposits of the uranium required by both the West and the Soviets - and that's just the start of it's reputedly $23 trillion worth of mineral assets. Emerging from the populace to lead this new country is Patrice Lumumba. He's an articulate man who unlike so many who took their nations out of colonial-hood, is not constantly bedecked in medals and ribbons with armed men at his back. What we see over the next couple of hours uses a superb musical soundtrack from the likes of Nina Simone, Louis Armstrong, Miles Davis - you name it, to provide a backdrop to CIA shenanigans, petulant strops from Nikita Khruschev, accusatory comments from just about everyone from Malcolm X to Fidel Castro and some extremely cynical insights into the Eisenhower presidency's approach to this man; to the problems he may bring or solve and to the precedents he was bound to set. As you'll expect, this freedom fight is tied-in closely with the fight for desegregation and equal/human rights for African American people and it uses that platform to illustrate just how ineffective the US-dominated United Nations was at brokering anything akin to a peaceable solution that was in anyway neutral or beneficial to the populace of this vast territory. The secession of Katanga - where the mining was at it's more lucrative and the privatisation of it's principal enterprise ensured that the West still pulled the strings, sets the tone for the final phase of the history and it's tragic conclusion. I knew some of this but I wasn't aware of just how exploitatively the American administration used unwitting people, many globally recognised household hames and who were still treated as second-class citizens (if citizens at all) at home, to peddle a political message of brotherhood and unity in Africa and at just how effective these deceptions were whilst the CIA experimented with new ways of assassinating. There's an arrogance here that's writ large as the local population are treated with a casual disdain that makes your flesh crawl. Fans of jazz will love the accompaniment which mixes some characterful performances of the more famous pieces of music from the genre with some more specifically written and delivered themes that directly address the issues of slavery, exploitation and freedom that led to a protest within the impotent General Assembly chamber itself. It is curious that many of the criticisms levelled at the UN in the mid 1960s are just as valid today, and that little progress as been made changing the format that was established by world powers in the 1940s whose "permanent" roles embedded in the political infrastructure remain unaffected sixty years later. This isn't a film about corporate greed, it's one about political influence and domination and has been thoughtfully put together to open a hornet's nest. Did you know that Dizzy Gillespie actually ran for US President?
