They shouldn't have put him in the water, if they didn't want him to make waves.
1993-09-17
N/A
102 min
Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop, and goes on the record with his allegations. Demoted to water-way duty Tom, along with new partner Jo Christman, navigate the three rivers looking for clues and discovering bodies. This time the victims are women Tom knows, he must find the killer to prove his innocence.
Comic book cop thriller in Pittsburgh with Bruce Willis and Sarah Jessica Parker
RELEASED IN 1993 and written/directed by Rowdy Herrington, “Striking Distance” stars Bruce Willis as Tom Hardy, a Pittsburgh detective who's demoted to river rescue. A serial killer returns after a two-year absence and bodies of beautiful women start turning up in the river, all women whom Hardy used to date! Sarah Jessica Parker is on hand as Hardy's partner on the river, Jo Christman.
The movie has a bad reputation. Roger Ebert tore it to pieces, basically saying it was too derivative and by-the-numbers, and Willis himself said he hated it. I can understand criticism to a point. The story has a melodramatic comic-book vibe, which is obvious in the opening act, almost like a TV production except with a superior cast and action scenes. But, and this is an important “but,” I found myself drawn into the story & the characters and greatly enjoyed the rare Pittsburgh locations, as well as the (melo)drama and thrills. In other words, the movie is entertaining and entertainment is the name of the game.
This is a cop thriller in the manner of the Dirty Harry series, especially “The Dead Pool” (1988), except it’s more comic booky and taking place in Pittsburgh rather than San Francisco. It's also reminiscent of films like "The General's Daughter" (1999). Although not technically as good as the Dirty Harry movies or "The General's Daughter" due to its cartoonish-ness, "Striking Distance" nevertheless pulled me into the lives of the characters and, for the most part, furnished the requisite thrills.
The generically-named movie (also akin to the Dirty Harry franchise) was originally called "Three Rivers,” a much better title simply because it's more specific, but was changed at the last minute because the marketing department feared people would think it was a sports movie due to Three Rivers Stadium, so they switched it to "Striking Distance." Why “Striking Distance”? The first hint is at the beginning of the movie when the title card shows two electrical bolts coming out from either side of the title. Later we observe the mysterious killer using a stun gun before killing his victims and, with a stun gun, you must of course be within... striking distance!
Speaking of the killer, one element of the plot I haven't mentioned is that this is a whodunit. Someone is charged with being the killer early on but Hardy knows it's the wrong guy; he and others are sure it's a cop or ex-cop doing the killings. There are a few suspects, including Hardy himself, but I honestly was unable to guess the right person. There's another twist late in the story that also took me by surprise.
"Striking Distance" may not be exceptional and is marred by cartoonish exaggeration, but it entertains as a cop thriller and that's what's most important when it comes to these types of flicks. Plus it was shot in Pittsburgh, a refreshing change.
THE MOVIE RUNS 1 hour, 42 minutes. ADDITIONAL WRITER: Martin Kaplan.
GRADE: C+/B-
I'll be honest, I'm giving this 10 stars because my wife didn't like it... but she liked Hard Rain. So it's a spiteful thing.
But it's not bad, sort of my the numbers, and Tom Sizemore actually does a really good job in it. He's certainly the highlight of the film. And you don't really see many police thrillers about boat cops. And Sarah Jessica Parker is super cute in the movie, so it's worth watching for that.
That out of the way, you now who the killer is almost from the opening scene. That pretty much establishes more than it should, and then the bigger hints come just a little while later, so by the time you get into the bulk of the film, you already know who did it.
And by the way, did you know that you can blow up a car by shooting a flair into the back window?
It doesn't really work as a who done it sort of film, and there isn't enough action to be an action movie.
Basically, you're waiting around to see how they solve it, sort of like Colombo, only you're doing it with the feeling that you're supposed to be guessing. So it's like you're at a murder-mystery dinner and no one else really reads or analyzes movies, so you're sitting there being polite because you solved it an hour before everyone else and your only evidence for the solve is "that's what most writers do."
