A better life is there for the taking.
2024-02-09
N/A
102 min
Set during the peak of a wave of moped crimes sweeping London, 20-year-old Ash, who is trying to earn money to raise his 14-year-old sister and send his mother to rehab, gets caught up with an organized crime ring led by a young and charismatic Albanian immigrant. As the crimes get bigger and the attention becomes addictive, Ash struggles to keep his head above water. Soon, he has to choose between the people he loves, and having his whole life come crashing down around him.
"Ash" (Stephen Odubola) lives at home with his young sister and his permanently absent or stoned mother. His dream is to start a business of his own (he likes to fix things) and to get her into rehab. To that end he's mixed up with four of his mates in a snatch 'n grab scheme using mopeds to pinch mobile phones and handbags from unsuspecting folks on the street. They sell these on to "Shaz" (Jelena Gavrilovic) who happens to be the cousin of the gang's leader "Dubz" (Taz Skylar). "Ash" finds the shoebox under his bed is gradually filling up, but when he's told his mother's medical costs are likely to run to £25,000 he realises that nicking a few phones ain't going cut it. After a raid to get themselves some new transport goes awry, with one of their number a bit too handy with the spray-on acid, they are reduced to four and given a new task. Rob a jewellery store and make some proper money. When this goes tragically wrong, "Ash" and his pals "Kabz" (Mohammed Mansaray) and "Mole" (Tobias Jowett) have to persuade their briefly ostracised mate "Roach" (Craige Middleburg) to come back and help them - because their paymasters are still demanding a sackful of loot! Up until this point, the film is actually quite decent - a diverse group of life-long mates all carrying out what they reckon are victimless crimes to make some cash. Once the violent elements kick in, though, the plot really heads south. What made it a bit different is subsumed into a rather amateurishly directed affair with implausible police chases, even more unlikely robbery scenarios and just one chunk too much of bad decision making - on and off the screen. Skylar is a man with charisma, but the rest of these characters never light up the screen or the story and by the sequel-suggesting conclusion, I'd sort of lost interest. It is worth a watch with all the "life's there for the taking" stuff going on, but it'll be on the television soon enough and I'm sure it can wait til then.
Most certainly not perfect, I'm not convinced by it I won't lie, but... <em>'Gassed Up'</em> narrowly does enough.
Making your lead characters criminals is always a brave choice, you're almost setting yourself up for failure from a film point of view. I'm personally cool with a movie's main lot not being total good guys, like <em>'The Fast and the Furious'</em> is literally one of my favourite flicks ever, but it does make it more difficult to root for the people onscreen.
In this execution of making the audience do the aforementioned, I think this film doesn't do the best job. I appreciate the backstory we get for them, well at least for a few of them, and it does work in making you understand their point of views. However, I'm just not sure if it's enough to overcome what the characters are actually doing; it's not like they are Robin Hoods... well, I guess they actually are robin hoods (ha! get it! sorry!) but you get what I mean.
There's also an inconsistency in that they avoid going up a level in their activities as they know it'll bring more heat - yet not long after stating that they brazenly take it up a notch anyway. A possible 'out' is they are blinded by wonga but that's unconvincing. All this is just me saying that the writing isn't the best, in my opinion of course.
What does save this is that the feel of the film is competent, it's fairly well put together and moves along at a decent pace. The cast are also positives, with Stephen Odubola being the clear standout as Ash. Taz Skylar and Mohammed Mansaray are alright, though Craige Middleburg and Mae Muller (strange casting for the latter) are more miss than hit. I would've liked Steve Toussaint to have been used more.
Glad I watched this at the cinema though, always nice to support productions from the homeland. Two groups of two were in there with me, though one duo did decide to leave with a good chunk of the movie left; I see other reviewers have noted likewise - ouch! I can possibly see why if I'm totally truthful, but for me I just about got enough out of it. I could easily be rating this a step lower, though.
